FREE DOWNLOAD - "Mein Bakkie" here: ►►► https://www.eesy-ees.com/bakkie
►EES SHOP: https://www.eesy-ees.com/shop
►EES INSTAGRAM: https://goo.gl/AOznp4

Mein name ist EES, bin ein Musiker aus Africa (Namibia) und zeig euch mein LIFE & STYLE in meinen Videos - JEDEN Sonntag ein neues Video:
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Wie jeden December holiday haben wir euch diesmal wieder einen Nam Släng Song zusammen gebastelt. eine Parodie von dem hit "YG - My N*gga"
Nur ein bisschen anders und mit viel mehr Nam Flava style natürlich.
Viel Spass damit - wenn ihr den liked - gerne weiter teilen und remembert Musiker zu supporten in Zeiten wie diesen - da holft sogar jeder kleine einkauf im online shop.
Vielen Dank
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SONG LYRICS:

CHORUS:

Ich fahr den ganzen Tag auf der Farm mit mein Bakkie,
Das ist bleddie warm, der WInd weht so ich bin lucky,
alles ist oreit, ich hab ppetrol in mein Bakkie,
so wenn du mich sieht - das net ich und mein Bakkie,
Mein Bakkie, Mein Bakkie,
Mein Bakkie, Mein Bakkie,
Mein bleddie mooier Bakkie
Mein Bakkie, Mein Bakkie,
Bein Bakkie, mein Bakkie,

VERSE EES:

Alles Rapper posen immer nur mit Benz,
ich worry nicht für teure cars das zu intense,
chill lieber lekker mit mein drink aufn pensaber wenn ich fahr, fahr ich Bakkie und dann straight übern fence,
Ja mit einer Hand am Steuer, die andere Hand ein Wuma,
Die sagen speed ist mooier - aber das kist nur ein rumour,
weil ich cruise mit meim Bakkie immer nur im zweiten Gang,
Und nehm net die backstreets so die cops könn mich nicht fang,
Ja ein Bakkie is bleddie nice, auch net für zwei,
aber hinten passen alle drauf undsogar ein braai,
Ja ich weiss der's bleddie alt, aber das mein Bakkie,
und fährt wrachtach immer noch, jenne bin ich lucky,

CHORUS:

Ich fahr den ganzen Tag auf der Farm mit mein Bakkie,
Das ist bleddie warm, der WInd weht so ich bin lucky,
alles ist oreit, ich hab ppetrol in mein Bakkie,
so wenn du mich sieht - das net ich und mein Bakkie,
Mein Bakkie, Mein Bakkie,
Mein Bakkie, Mein Bakkie,
Mein bleddie mooier Bakkie
Mein Bakkie, Mein Bakkie,
Bein Bakkie, mein Bakkie,

TROPIE VERSE:

Ich bin Troepie von der farming scene,
Alle kenn ich bin am Braai der King,
Chill seit Jahren schon mit EES und sein Team,
Mein Bakkie und ich sind der Namibian Dream,
Check,
Ihr kauft teure Bakkies weil denkt das stout ist,
sikkelt aber oft weil ihr nicht wisst wo der remote ist,
ich hör immer mooi ob bei meim Bakkie etwas laut ist,
Ist da kak – bonnet auf - ich weiss gleich wo der fout ist.
Oh Ja – check ich reff mein Bakkie,
Worry nix, schlatte jeden takkie,
Ihr seid bang für kleine Kratzer, Ich fahr nah am Busch vorbei,
so design ich neue mooie Muster, att mein Bakkie’s bleddie tai,

CHORUS:

Ich fahr den ganzen Tag auf der Farm mit mein Bakkie,
Das ist bleddie warm, der WInd weht so ich bin lucky,
alles ist oreit, ich hab ppetrol in mein Bakkie,
so wenn du mich sieht - das net ich und mein Bakkie,
Mein Bakkie, Mein Bakkie,
Mein Bakkie, Mein Bakkie,
Mein bleddie mooier Bakkie
Mein Bakkie, Mein Bakkie,
Bein Bakkie, mein Bakkie,
BREAK 2x:

Mein Bakkie macht die Cherries mall,
Cherries mall,
Mein Bakkie trappt hier jeden Ball,'
Jeden Ball,
Mein Bakkie spinnt im Boikkie kraal,
Bokkie Kraal,
Weil Nam Flava schlattet überall,
Überall,

CHORUS:

Ich fahr den ganzen Tag auf der Farm mit mein Bakkie,
Das ist bleddie warm, der WInd weht so ich bin lucky,
alles ist oreit, ich hab ppetrol in mein Bakkie,
so wenn du mich sieht - das net ich und mein Bakkie,
Mein Bakkie, Mein Bakkie,
Mein Bakkie, Mein Bakkie,
Mein bleddie mooier Bakkie
Mein Bakkie, Mein Bakkie,
Bein Bakkie, mein Bakkie,

_______________________________________________________________


►NEWSLETTER: http://goo.gl/VglLtV
►TWITTER: https://goo.gl/akqT4P
►WEBSITE: http://goo.gl/ZMLwNE
►iTUNES: https://goo.gl/MulVbe
►AMAZON: http://goo.gl/cDB2IK

_____________________

Kamera: Sony 6400 - https://amzn.to/3deGcUp *
Schnittprogramm: Premiere Pro CC - https://amzn.to/3a7CMAY *
Meine Softboxen:TecTake 5500K https://goo.gl/3PEKfI *

Viel Music von: https://www.epidemicsound.com/
_____________________

** Unterstützt durch Produktplatzierung (P) - naja hauptsächlich mein eigner stuff-) aber das muss man ja auch hier rein schreiben!-)

* Affiliate Links:
Das heißt über die Links generierten Umsatz wird je nach messbaren Erfolg Provision gezahlt.

Listen/ download here: https://songwhip.com/riaan-smit

Thank you for watching, please subscribe to support the channel.
Connect on other platforms:

Instagram: https://www.instagram.com/riaansmitx/
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Apple Music: https://music.apple.com/us/art....ist/riaan-smit/66599

Bookings: Tribe1bookings@gmail.com

#riaansmit

Rock it Real interview with Crowmaster https://zeno.fm/radio/rock-it-real-ktjj/

Thanks to Aidan Harper - much appreciated

Another Sin is a dark, gothic meditation on desire, guilt, and corrupted faith - very much in line with a ritualistic, almost sacrilegious love story. At its core, the song blends religious imagery with intimacy and sin, turning what should be sacred (altars, saints, prayers, angels) into something twisted and deeply personal.

https://crowmaster.bandcamp.co....m/album/johnny-vs-th
https://digitaldistro.earache.....com/share-link?token

Your voices strained from hallelujahs

Oh the bells rang low and crooked
Like a drunkard’s last goodbye
And the angels turned their faces
From the mercy of your eyes -, our eyes!

You laid me on the altar of stone
Where the saints had come undone
And burned your name into my skin
Like a second sun

And every prayer that I ever knew
Do as I say - not as I do
So tell me where do I begin
With another sin?

Was it love or was it hunger?
That trembled in your heart?
So You kissed me like a sinner
Being introduced to death

You laid me on the altar of stone
Where the saints had come undone
And burned your name into my skin
Like a second sun

And every prayer that I ever knew
Do as I say - not as I do
So tell me where do I begin
With another sin?

Forgive me for my weakness
Forgive me for the blade
Forgive my crooked ways
Forgive Me, Forgive Me

Composition : Greg 'MadDog' McEwan-Marriott https://www.youtube.com/@maddog.mcewan

Bass : Johan DeJager
Drums : Arnaud Krakowka https://www.youtube.com/@ArnaudKrakowka
Guitars : Greg McEwan-Marriott, Johan DeJager
Keyboards : Greg McEwan-Marriott
Vocals : Greg McEwan-Marriott, Johan DeJager

Crowmaster is the project of Greg 'MadDog' McEwan-Marriott https://www.youtube.com/@maddog.mcewan, guitarist and founder of South African Metal band Voice of Destruction (V.O.D.) https://www.youtube.com/@voiceofdestruction666 later Black Opera and Johan DeJager https://www.youtube.com/@INTOTHEPIT (Namibia, Germany) ex Voice of Destruction, Arcana XXII, Soul Vertigo https://www.youtube.com/@soulvertigo8013, Electric Dead https://www.youtube.com/@electricdead, Dark Impaler, False Idols https://www.youtube.com/@FalseIdols_HeavyMetal, Hybris, Arsonist, Overlord https://www.youtube.com/@overlord9590 and Vrot https://www.youtube.com/@VROTH....ideousRottenDeathMe-

Kråkmästaren, Maître des corbeaux, Krähenmeister, Kråkemester, Maestro di corvo, Varismestari, вороновод, Kragemester, Kraaimeester, Ahli gagak, Joukkomestari, олон түмний мастер, भीडमास्टर, Mestre de multidões, толпамастер, Maighstir-shluagh, อาจารย์อีกา, Karga ustası, ворон господар, chủ quạ, meistr brain, קראָו בעל, igwababa master, kraai meester, vrána mistr, κοράκι κύριος, 크로우마스터, كروماستر, クロウマスター, coronator, maighstir feannaig

LINKS

Apple Music - https://music.apple.com/us/art....ist/crowmaster/17353
Bandcamp - https://crowmaster.bandcamp.com/
Metal Archives - https://www.metal-archives.com/bands/Crowmaster/
Patreon - https://www.patreon.com/Crowmasterband
Spotify - https://open.spotify.com/artis....t/4rxEsw1Dvn41RST4Io
YT Music - https://music.youtube.com/chan....nel/UCXVAg5DemJ_b3cE

This video is the official music video for "St. Jude" by the gothic rock/metal band Crowmaster. The song features a dark, atmospheric sound characteristic of the genre, exploring themes of restlessness, betrayal, and longing.

Key Themes and Lyrics:

Restlessness and Waiting: The song centers on the feeling of being unable to sleep and the internal struggle of waiting for someone or something (0:41, 2:08, 3:40).
Betrayal and Hurt: The lyrics mention "eyes full of treachery" and compare hearing a name to a "wound reopened" (1:43-1:53, 3:00-3:10).
Religious Imagery: References to St. Jude (the patron saint of desperate cases) and items like rosaries evoke a sense of seeking solace or absolution that remains out of reach (1:43-2:05).
Social Commentary: The lines "And the girls all move like murder / And all the boys all fall in line / Everybody wants resurrection / but no one wants to die" provide a cynical observation on human nature and the desire for transformation without sacrifice (2:34-2:54).
Visual Style:

The video mirrors the dark, brooding aesthetic of the lyrics, maintaining a somber and intense tone throughout its 5:13 duration.
This summary reflects the content through the entirety of the song.


So you come crawling
Through the telephone lines
White teeth, Black gloves
Cheap perfume and alibis

I don’t sleep anymore
I wait
and I wait
And I don’t sleep anymore
I just close my eyes
I don’t sleep anymore

Saint Jude in the bathroom mirror
Rosaries wrapped around the hurt
You say my name
Like a wound reopened
Slow hands
Dead calm
Eyes full of treachery

You say my name
Like a wound reopened
Slow hands, Dead calm
Eyes full of treachery
No confession
No absolution

I don’t sleep anymore
I just close my eyes
I don’t sleep anymore
No confession
No absolution

And the girls all move like murder
And all the boys all fall in line
Everybody wants resurrection
but noone wants to die

You say my name
Like a wound reopened
Slow hands
Dead calm
Eyes full of treachery

So you come crawling
Through the telephone lines
White teeth
Black gloves
Cheap perfume and alibis

I don’t sleep anymore
I wait

And the girls all move like murder
And all the boys all fall in line
Everybody wants resurrection
Noone wants to die

I don’t sleep anymore
I wait
I just close my eyes
I don’t sleep anymore
I wait, and I wait
I wait
I just close my eyes
I don’t sleep anymore
I wait

https://crowmaster.bandcamp.com/

ELASTIC STAGE:

https://elasticstage.com/crowm....aster/releases/corvu

BANDCAMP:

https://crowmaster.bandcamp.com/

"Crowmaster - Darkstar (Sirius Rising 2025)", is a gothic metal music video that features lyrics referencing ancient, mystical themes related to Sirius B, the Dogon tribe, and cosmic knowledge. The song speaks of "secret fires beneath the moon" (1:25-1:33), "Nommos falling" (1:59-2:03), and the "Eyes of Sirius" (2:17-2:23) as "twin flames in the void."

Key lyrical themes include:

Cosmic and Ancient Wisdom: References to "ancient codex through the veil" (2:09-2:17), "hidden knowledge carved in stone" (3:31-3:35), and tracing "the stars in silence" (3:06-3:12).
Pre-Civilization Era: The phrase "before the ships, before the empires" (2:30-2:38, 3:35-3:37, 5:05-5:12) suggests a time of primal wisdom and connection.
Dogon Tribe References: Mentions of "whispers from the cliffs of Bandiagara" (2:46-2:50, 6:11-6:15) link the narrative to the Dogon tribe of Mali, known for their astronomical knowledge, particularly regarding Sirius.
Mystical Rites: The recurring word "Rites" (3:20, 6:44) emphasizes ceremonial or ritualistic practices.

secret fires
beneath the moon
seed of heaven
words spoken
Nommos falling
oh, Sirius B
ancient codex through the veil

the Eyes of Sirius
twin flames in the void
before the ships
before the ships
before the empires

whispers
from the cliffs of Bandiagara
drums echo through the dust and dawn
elders trace
the stars in silence
marking what the world forgot

Rites

Eye of Sirius
twin flames in the void
hidden knowledge carved in stone
before the ships
before the empires came
they watched the skies
and were not alone

secret fires
beneath the moon
seed of heaven
words spoken
Nommos have fallen
oh Sirius B
ancient codex through the veil

the Eyes of Sirius
twin flames in the void
before the ships
before the ships
before the empires

whispers
from the cliffs of Bandiagara
drums echo through the dust and dawn
elders trace
the stars in silence,
marking what the world forgot

Rites

https://crowmaster.bandcamp.co....m/track/darkstar-sir
#crowmaster #gothic #sirius #metal #rock #namibia #southafrica #dogon #tribe #mali

"Crowmaster - Weight of the Sky (2025)," is a music video (0:30-3:15) with accompanying lyrics. The song's lyrics describe a desolate, open landscape (0:30-1:24) with imagery of the horizon cutting silence, dust settling, and wind blowing. The narrative continues with a focus on the "raw air" and "toxic skies" (1:25-2:10), emphasizing a sense of exposure and environmental harshness. Later verses describe heat shimmering on a salt pan (2:11-2:43) and acacia shadows stretching thin (2:44-3:15), culminating in the line "I deny," suggesting a rejection or struggle within this environment. The video's title and description hint at themes of desolation, space, and nature

The horizon
cuts like a blade
cutting silence into distance
dust settles soft on my skin
and the wind blows dust to cover myself

the air is raw
blue enough to drown my eyes
I'm standing in the open
inhale the toxic skies

the air is raw
blue enough to drown my eyes
I'm standing in the open
inhale the toxic skies

heat shimmers on the salt pan
an old mirage I almost believe
tracks of the oryx vanish
but the sun keeps its witness

acacia's shadows stretching thin
time leans against the stones
I breathe the edge of morning
lungs washed clean by the sky

I deny

#namibia #southafrics #metal #postrock #desolation #space #africa #skysports
as premiered on You Rock - Thomas Christ

https://youtu.be/DVTFFPPFgQI

https://elasticstage.com/crowm....aster/releases/corvu

"Her Champagne's Flat", is an official music video by Crowmaster. The song features Greg McEwan-Marriott on composition, guitars, and keyboards, and Johan DeJager on guitars, vocals, and bass. Doom Tones is credited for the drums. The scenes in the video are taken from a South African movie called The Recce (0:00-4:34).

The lyrics evoke a sense of desperation and pretense (0:53-2:05), with themes of dancing on quicksand (0:29) while an orchestra plays on (0:40). The recurring line "The Champagne's Flat" (1:41, 3:17, 4:14) along with caviar gone rancid (1:47) and broken dreams (3:12) suggests a state of decay and unfulfilled hopes. Despite this, there's a continuous notion of pretending (1:59, 3:35) as rivers flow and worlds remain apart (3:41-3:46). The song ends with a sense of silence and flickerness (4:02-4:05).

Composition : Greg McEwan-Marriott

Guitars : Greg McEwan-Marriott, Johan DeJager
Vocals : Johan DeJager
Keyboards : Greg McEwan-Marriott,
Bass : Johan DeJager
Drums : Doom Tones

Scenes : From an EPIC SA Movie Called - The Recce

To donate to Crowmaster visit https://darkvibez.com/track/sA92S7dFlMZnOJb

The song has a dark, atmospheric, and contemplative tone, with lyrics that evoke imagery of solitude, secrets, and a solemn, almost desolate landscape.

Here's a summary of the key themes and lyrical segments:
• The song opens with imagery of an "astral river" and "secrets it cannot return" (0:31-0:55), setting a mysterious and somber mood.
• A recurring motif is "stone upon stone, the silence grows," portraying a deepening quiet and a sense of isolation (1:49-1:56, 3:16-3:28).
• The lyrics describe a "chapel of shadows, where no one goes" and a world where "the bells are still" and the earth drinks from a "bitter well" (3:28-3:52).
• The narrative then shifts to a solitary journey through "hallowed ground," emphasizing heavy steps and silent trees (4:05-4:23).
• The speaker kneels before a "faceless stone" and hears water whispering, inviting them to "come lay with us, and learn to sleep" (5:13-5:33).
• The song concludes with powerful imagery of a "voice like thunder cracks the sky" and "stars collapse, the heavens tear," bleeding light on an "altar bare" (5:56-6:14).

The astral river runs
black beneath the moon
Carrying secrets it cannot return
A single flame shivers in the wind
Naming the dead with every turn
Stone upon stone, the silence grows,
A chapel of shadows, where no one goes.

Yeah yeah

Stone upon stone, the silence grows,
A chapel of shadows, where no one goes.
The choir has fallen, the bells are still,
And the earth drinks deep of a bitter well.

I walk alone through the hallowed ground,
The trees lean close, they make no sound.
Each step is heavy, each breath a prayer,
But the night knows well why I am here.

I kneel before the faceless stone,
A crown of dust, a fate my own.
The water whispers, slow and deep,
“Come lay with us, and learn to sleep.”

A voice like thunder cracks the sky,
Yet speaks of nothing, only lies.
The stars collapse, the heavens tear,
And bleed their light on the altar bare

DEDICATED TO

https://elasticstage.com/crowm....aster/releases/corvu

@davidgilmour @TOOLmusic @OsiandtheJupiter

A retake for Thomas Christ @ThomasChrist of Crowmasters' - The Land that Time Forgot - https://youtu.be/Gem9vcCRtC0
Thank you for all the support

Original Namibian JAM version at https://www.youtube.com/watch?v=Gem9vcCRtC0

https://elasticstage.com/crowm....aster/releases/corvu

BANDCAMP: https://crowmaster.bandcamp.com/